Tuesday, October 14, 2014

Thanatos Diver Variant Cover

Pals and Legends of the Guard Vol 2 contributors Nick Tapalansky and Alex Eckman-Lawn have a new ongoing comic coming out in October from Th3rd World publishing called THANATOS DIVER. They asked me to contribute a variant cover for issue 1 (I believe Jeremy Bastian is also doing a variant for this series). And so this week I'll be sharing my cover and a few steps of the process to get the final product.

Thanatos Diver is about a young woman who is an underwater salvager in her mini submarine around the island she lives on...and it leads to underwater and island hopping adventures, which may or may not involve the mysterious Thanatos Diver himself.

Alex's designs for this comic are a bit different than his past work. He's doing something more colorful, more all-ages, and more animated in style. Obviously I'd need to reference his concepts for the Submarine, but I didn't know quite how to approach drawing the main character. I don't draw young women very often, so I don't have a go-to style for doing that. And I didn't just want to copy what Alex was doing with her. So I opted to take the spirit of the design (all-ages, anime-like, playful) and work with my interpretation of that. (I've covered the topic of how I approach drawing other people's characters in two past blogposts Part 1 & Part 2)

Here is my rough/pencils for the piece. I drew the sub, the main character Sam, and the background (complete with glowy ring) all on separate pieces of copy paper and then assembled them in photoshop. I quickly added temp colors and effects so I could get a better idea of how I needed to ink the final piece keeping in mind those effects and potential color-holds. In my original sketches here I had a heads-up display view screen of her salvaging rival. I also left the sea floor debris to add in the end. I was going to play with the printed out version of this for how much junk to add and/or if I needed fish & crabs to populate the cover as well.

This digital composite of my sketches was then printed out so I could start the inking.

I taped that printout to the back of a sheet of Strathmore birstol. On my lightbox, I was able to ink the piece using the printout as a guide instead of redrawing it or using any pencil on my bristol surface (though I did rough out some of the sea junk in pencil as I went. I tried to add some of my sense of detail to the ship (rivets, vents, joints, etc.) but not too much, since I didn't want it to stylistically look too dissimilar from Sam. I was able to push the background elements though. With Mouse Guard I find that I can streamline and simplify the characters and action, but the more realistically I render/design the environments the more believable the characters are. I applied the same logic here, giving the sub and sam a sense of movement and whimsy, but grounding their adventure in a real-ish place.

Here again is the finished cover art. A lot of the color design work was done for me in the comic, so I just needed to apply it to my work and make subtle shifts so it worked as a cohesive piece. This cover is a bit special effects heavy compared to other covers of mine. I added color holds and effects to make the glowy-ring look like something, to the headlights to not just make the lamps glow, but simulate the beams they throw underwater, and to the glass bubble to make Sam look like she's inside her craft, and to the bubble stream to soften them up and make them look like sea-froth. 

Look for my cover on Issue 1 of Thanatos Diver in November

2014 Appearances:
Lucca Comics & Games (Italy): Oct. 31-Nov. 2
2015 appearances to be announced shortly

Tuesday, October 7, 2014

Mouse Guard Plush!

Israel Skelton of Skelton Crew Studios and I were chatting after the release of his Chog plush from the comic CHEW. I mentioned how I really liked how that piece turned out and lamented that the plush of Lieam that was released in 2007 from Diamond Select toys was the only one they made before dropping the license. We decided to add new Plush Mouse Guard items to the Skelton Crew line! I worked up the rough sketch to the left to illustrate the proportions and color changes & embroidery changes could easily make most of the Mouse Guard characters.

Tomorrow Skelton Crew will start taking pre-orders for the first two Guardmice in the line: Kenzie & Saxon! I was involved with adjusting photos of prototypes until the manufacturer produced what Issy and I were going for. The two photographed here are physical versions I have in my studio, and a really great and quality pieces. They are 6" from butt to crown of the head. The butt is weighted with beanbag so they want to sit on your shelf, however a doll stand could be used to have them standing in your home display.

This link will have the plush items listed for pre-order tomorrow: http://skeltoncrewstudio.bigcartel.com/category/mouse-guard

And Saxon and Kenzie are only the first two in what should be a great series of plush mice. And we hope to have a prototype ready for production on another two mice in January of next year!


The Skelton Crew mouse-scale weapon replica of Lieam's sword will be availble for pre-order at that same link!!!

It features a 2 tone plating and a thread-wrapped grip.

Pre-order it here:

But wait...there's MORE!?!?!

Israel is also at work on more Mouse Guard items!!

He recently sent me this prototype work-in-progress photo of the head of Gwendolyn's pike axe (which will have a braided wooden handle when completed) The head was sculpted by John Thompson, and will be further worked on by Israel once the first metal casting is made. 

A very difficult and complicated project is still underway: The Baldwin the Brave Marionette! This will be a functional marionette of the title character in the story "Baldwin the Brave" (which is being released in hardcover format November 5th). The original sculpt was something I did to use as reference for drawing the story, but Israel has gone in and added Baldwin's specific details and cleaned up the piece so that it will cast nicely. We are *fingers crossed* looking to a pre-order date in late November on this with units shipping after the new year.

All of these items will be available in the Skelton Crew Online Store along with replicas and items from Locke & Key, Chew, & Hellboy.

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, September 30, 2014


On the Mouse Guard site: mouseguard.net there has long been a FAQ page that says 'coming soon'. Well...I finally got around to getting it all typed up. Here's the most Frequently Asked Questions & their Answers:

In what order should the Mouse Guard books be read?

In the main Mouse Guard series, the first book is Fall 1152, and is followed by Winter 1152, and then the prequel book The Black Axe 3rd. The Legends of the Guard volumes are spinoff anthologies where David asked guest artists to tell the tall tales and legends of the Mouse Guard world. The anthologies can be read at any point and in any order, but the Mouse Guard books are meant to be read in order (though fans have said they happened to start with a later book and went back to find it worked for them without ruining the story.)

What age range is Mouse Guard intended?

Mouse Guard is a true all-ages book. There are just as many children fans of the series as there are adult fans. For sake of labeling, the publisher has classified it as “8 and up”, though there are fans of Mouse Guard younger than that. While Mouse Guard deals with serious ideas of loyalty, danger, love, and death, David doesn’t do gore-for-gore’s sake illustration, and focuses more on the weight of those events rather than the spectacle of them. Some vocabulary may be over the heads of younger readers, but none of it is inappropriate for them and David likes to think children will rise to the occasion of being challenged and either learn new words and meanings through context or by asking an adult for help.

How long has Mouse Guard been around?

In May of 2005 David self-published the first issue of Mouse Guard at the Motor City Comic Con (This was a black and white version of what became the first chapter in Fall). In 2006 Archaia started publishing and releasing color Mouse Guard issues & books. The idea for the Mouse Guard goes back to David’s early college days in 1996 when he first drew Saxon, Kenzie, and Rand.

Where can I purchase Mouse Guard books?

Mouse Guard books are available at your local comic shop or bookseller, Barnes & Noble, Amazon, or the BOOM! online store. Mouse Guard books can also be purchased through BOOM!/Archaia or David at conventions.

Why mice?

David loves animal stories and set out to make one that was as epic as the Dungeons and Dragons adventures he played when younger. For David, mice became a perfect representation of being an underdog, having the world stacked against you, and having enemies with all the advantages of size and might.

Why don’t the other animals in Mouse Guard speak or wear clothes?

Just because the other animals don’t wear clothing, or aren’t shown to have castles or swords, don’t think they don’t have a language, history and culture all their own. When Europeans first encountered Native Americans, they thought them primitive savages. But nothing could be further from the truth…and the same is true of the foxes, snakes, crabs, and wolves of Mouse Guard…the mice are just to mouse-centric to learn the subtleties of their culture and language (Though a few mice have taught themselves to speak to beasts).

How do you pronounce the names “Lieam” and “Celanawe”?

“Lieam" is pronounced just like “Liam”. David misspelled the name in his ealiest notes for Mouse Guard and liked how it looked after he discovered the mistake and decided to keep it.

“Celanawe” is pronounced “Khel-eN-awe”

Is there a Mouse Guard movie in the works?

David has spoken to several producers, agents, and studios over the years, and while there has been talk. no movie deal has been made. David wants a Mouse Guard movie to be done correctly, adding more depth and detail to his world, keeping the all-ages weight of the stories, and not losing sight of the source material. This would be a CG mouse movie, so that the detail of fur and lighting, and cloth, etc could be exploited to go beyond what David already does in the comics and make the story all the more believable.

Recently David has been talking to a studio who wants to do all those things. When/if something happens, an announcement will be made.

How do I purchase original art from Mouse Guard?

The day an issue or collection of Mouse Guard goes on sale, the artwork for it goes up for sale in the Mouse Guard online store: http://mouseguard.bigcartel.com

This is on a first-come-first-served basis and work can not be reserved or held in advance.

How do I get my Mouse Guard books signed?

David signs books at conventions or other appearance. He does not have a limit to the number of books he will sign for you, but if he’s signed one of every book and there is a line, he will ask you to step to the back of the line and let other people get a chance before he signs multiples.

Does David charge for signatures?

No. There is never any charge for signatures.

Can I mail you my book to be signed?

No. Unfortunately, we had nothing but bad luck with mail-in books and we will no longer accept them. Please do not ship us any books, issues, or memorabilia you wish to have returned.

Does David do commissions?

David takes a limited number of commissions before most conventions he attends. He offers them up as pre-order items in his online store: http://mouseguard.bigcartel.com about a week before he’s attending a show where he’ll offer commissions. The pieces MUST be picked up at the show. The pieces are inked 7” x 7” pieces on 12” x 12” bristol with the detail level of a finished Mouse Guard page and cost $500. Subject matter requests are honored at David’s discretion. 

However, David will always do a quick doodle or head sketch for you at a convention for free in your sketchbook.

Will David design a tattoo for me?

No. David is honored by the request, but the pressure of drawing something he knows will be tattooed on you forever is too daunting for him. He encourages you to use your favorite previously published Mouse Guard image to use for your tattoo. 
How do I book David for my convention/event?

David’s schedule is booked pretty far in advance at any given time, and he has several must-attend events throughout the year. To ask about booking for your event email ericebon (at) hotmail (dot) com attn: Julia:Convention

Will David look at my work/portfolio?

If you catch David at a convention or appearance where there is not too long of a line, he will review and advise you on your portfolio. He has done a blogpost about reviews here: http://davidpetersen.blogspot.com/2014/01/critiques-portfolio-reviews.html 

What paper, pencil, pens, etc. does David use for Mouse Guard?

Paper: copy paper for roughs, Strathmore 300 series bristol for pages & covers
Pencil: Y&C Grip500 0.5mm mechanical pencil with HB lead
Eraser: Kneaded earaser for large work, Papermate Tuff Stuff eraser stick for small work
Pens: Copic Multi Liner pens, the 0.3 & 0.7 nibs mainly.
Color: Mouse Guard is colored & lettered in Photoshop CS5 on an iMac

For more on David’s process, follow David’s weekly blog: http://davidpetersen.blogspot.com

Can I make & sell/distribute fan made Mouse Guard work/items?

Fan Art and one-of-a-kind pieces (commissions, gifts, etc) are perfectly ok and David is flattered by seeing your passion for making them. David does not give permission for anything that is produced in a quantity of more than one (prints, printed sketchbook content, models, figures, game aides, etc) even if offered for free.

Can I get a story into a Legends of the Guard volume?

David handpicks the creators for his Legends anthology books. He chooses folks he knows the work of and trusts in his Mouse Guard sandbox. Please do not ask to you can be included, it places David a a position to perhaps have to say “no”. If David is interested, he will contact you.

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, September 23, 2014

The end of Watercolor Wednesday

Watercolor Wednesday:
Last week I released the digital collection of my year long experiment of producing and selling small whimsical watercolor paintings (You can purchase the PDF here for just $5!: http://mouseguard.bigcartel.com/product/watercolor-wednesday-digital-collection) But to add to that collection, last Wednesday I released 19 new paintings. That burst if the foreseeable end of Watercolor Wednesdays (though in a few years I may come back to it) So I wanted to share all those new pieces here with you this week.

Dikensian fish:
Animals in hats. It's a fun subject to paint...but this time instead of fur or feather beasts...I went with fish. And for their choices in hats and props, I leaned them towards the personalities of Holmes, Watson, and some other chap they might investigate. These were painted while I was doing a school visit in Hawaii.
Trout Sleuth: 7" x 3.25"

Chinook Gambler: 7.5" x 3.5"

Bass Roustabout 7" x 3.25"

Decorative Curios:
Giving interest to the mundane can be done just by dedicating a focus to the thing. For the 2012-2013 Watercolor Wednesdays I painted a lot of objects like scissors, a phone, a spigot, etc. These two pieces would fit into that category. Originally I was going to do a set of silverware, but opted to just do the fork. I toyed with the background color, originally it was a rusty red-brown, but I thought it was too much, so I toned it down with a lot of Payne's Grey. The soldier was just fun. I may have thought I'd do more antique kids toys...but I didn't. As a fun side note, we were still potty & puppy training Bronwyn when I painted these, and she managed to knock them (and a few others) off the table with her long curled tail as she walked by the table. She then chewed a bit on the solider, & teethmarks are still visible. 

Decorative Fork: 3.5" x 6"

 Toy Soldier: 3.5" x 6"
I'm bunching these two pieces together because I think of them as "realistic Fairy-folk" instead of the more caricature-ish pieces I'll show nest. I enjoy painting greenmen, and I saw a lot of variations of them carved into furniture and cast into objects when I worked at Materials Unlimited. These two paintings were done on an RV trip in Maine in late 2013.  

Halfling Lanternkeeper: 7" x 3.5"

Greenman: 3.5" x 7"

These two pieces were all about playing with shapes to give me more freedom to make interesting charaters instead of pushing for realism. when drawing & painting Uncle Jartholomew Q. Dud, I had in mind the idea of a cast of characters from a board game like "Clue" or "Kill Doctor Lucky", however, I never did more than Uncle Dud. The Banker I think was subtley influenced by one of the portraits for the Ticket to Ride game app.

Uncle Jartholomew Q. Dud: 3.5" x 5"

Fey Banker: 4.5" x 7"

These were an experiment from when I was getting ready to start selling my AP copies of my Brave poster from Mondo. Because I didn't want to do a drawing on the poster and blemish the printing, I opted to do little watercolor studies. I thought I'd try for a few of the wisps that lead Merida. These fell short of what I wanted for that project, but I added a lot of white gel pen to make them look more space-y
4 Nebulas: 4" x 4" each

Royal Fowl:
Animals in hats again. Painted while in Hawaii on that school visit,. The house we stayed in had wild quail running around in the yard. Then to not repeat the hat types I'd already done in past watercolors (top hats, bowlers, beanies, caps, deer stalkers, etc...) I gave him a crown and decided to fill out the royal court with other game birds.

Pheasant King: 5" x 4"

Quail Prince: 4" x 5"

Turkey Queen: 4" x 8"

Back to objects again...and keys again. In the first batch of Watercolor Wednesday paintings, I'd done 3 other keys: Faith, Hope, & Charity. This time (hoping I wasn't treading on Locke & Key territory too much) I went with Happiness, Peace, & Love. 

Happiness Key: 3.5" x 6"

Peace Key: 3.5" x 6"

Love Key: 3.5" x 6"

You can purchase a digital collection of the Watercolor Wednesday project in my online store. $5 gets you a DRM-free 90 page digital book of the year long project of whimsical paintings:

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, September 16, 2014

Watercolor Wednesday Digital collection

Between August of 2012 & August of 2013 I did a year long experiment to create and sell small, affordable, and fun watercolor paintings that I could release each Wednesday. It was a fun year-long project and gave me a way to try some new things as well as a way for fans of mine to collect some of my work on a more wallet-friendly scale. 

And now I've collected pieces from that year into a digital book! You can purchase the 90 page digital book here for only $5:

The digital book got a design treatment like it was an odd old photo album or scrap book and was put together by book designer extraordinaire (as well as Legends Vol 1 contributor) Nate Pride. 72+ pages of paintings....fairy folk, dragons, household objects, monsters, and whimsy. I've also included a number of never before seen paintings (which will all be released tomorrow sometime in my online store as a one-time Watercolor Wednesday blowout)

Below you can see some of the familiar painting as well as how the book is designed.

I'd originally intended to release this book as rollout with a "year 2" of the Watercolor Wednesday project, but unfortunately I don't know that I'll do a second year because of scheduling. But for now, whether you were part of that first year or not, you can now collect all the original-themed paintings in one digital volume here:

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, September 9, 2014

The Guard Prevail Tee Design

Over the past several years I've been releasing Mouse Guard shirts that I have printed locally. I treat each shirt like a limited print, when the initial print-run sells out, that shirt is gone and it's time for a new one. There've been 3 past shirts (though we still have some limited stock of the Black shirt in the online store)

Well, It's time for a new shirt! The above image is the tentative design. I say tentative, because unfortunately, we are having a hard time sourcing the blank shirts in the cloth quality we have used in the past that is available in both Men's and Ladies sizes in the same color. We have used Gildan's soft style in the past, but we've exhausted their color options (in fact they now offer one less matching color than they have in the past).

So I have no firm date on when these will be printed, since we are still trying to work out the shirt stock (and color), but I still wanted to share the new design. The three mice are Saxon, Kenzie, and Rand from my Weasel War 1149 teaser print from SDCC last year with an added backdrop deign and "The Guard Prevail" text added.

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, September 2, 2014

Feather Knighting Print art process:

Over a year ago, I posted about a false start on this piece. I wanted to do an oversized Mouse Guard print, with lots of detail, focusing on non-violent mice, and a ceremonial feel to it...but as I posted back in May of 2013, I never got it to a place where I could ink it. Today I'll go through the steps I took to get to this finished piece  and my plans for it.

Here is the composite of my three original sketches (the mouse with the feather, the mouse with the sword, and the room they occupy). I wanted to fill a room's shelves with artifacts and books and scrolls, and hidden Mouse Guard easter eggs. My problem with this was the wonky perspective of the circular room I'd sketched. And instead of establishing vanishing points, I built a model...

Using a few dishes & coffee mugs as circle templates, scrap bristol, cardboard, chipboard and basswood, I made model of how I thought the room should look. the brackets were cut on a small jigsaw to make life easier. I find making models like this to be very helpful not just with helping drawing in perspective, but also to help design a room in three dimensions as you build it. I decided to center the ceiling peak as I built this model, not just because it was easier, but because I as I held the rafters in different positions, I preferred it being not directly above the little platform the mice are on.

I photographed the model at an angle that worked with my original drawings of the mice and composited them together. This would serve as the perspective form foundation for the architecture I'd fill with curios and important mousey-things...but...this is the state where I abandoned the piece for over a year due to lack of time to devote to it. The original composite print-out stayed taped to my wall above my lightbox as a reminder to get back to it when I could.

Last week, I finally knocked the dust off this project and got it rolling again. I printed out the photo/drawing composite and on a lightbox re-prnciled the whole thing on several new sheets of paper (taped together to match the scale). Here I was finally able to add in all the items (many of which are nods back to various Legends of the Guard stories). I looked up to notes I'd jotted on the original sketch composite taped above my workspace, and made a few new ones as I went.

I taped the above redrawn pencil piece to the back of a sheet of 300 series bristol (24" x 12") and on my lightbox I started inking the piece: example 1, example 2. I ink with Copic Multiliner pens. I used the 0.7 nib mostly for this one, other than the eyes of the mice which I did with a 0.2. As usual I was adding various textures and line weights as I went to draw the viewer's eye through this messy cluttered room.

I scanned the inks in two different scans and then re assembled the pieces in Photoshop to start the coloring process. I established the various areas of the piece (fur, books, floor, clothes, wooden beams, etc) with obnoxious and garish colors to help me figure out if I stayed in the lines and if I established enough different areas so I could re-isolate any given object in the room to render it or alter it's final colors.

Here again are the finished colors. I did all the rendering using the dodge and burn tools in Photoshop while using a textured brush. This piece took me the longest of any single Mouse Guard page/piece I've ever colored. Partly because of all the little details on the shelves, but also because I knew this piece was going to be reproduced at-size and not shrunk down like other Mouse Guard pages and covers.

I plan to release this image as a 24" x 18" offset print (like my Beauty and the Beast print) and add a little text box at the bottom with a single paragraph story like the ones I write for the covers of Legends of the Guard. (The text shown here is placeholder-text...I didn't want to spoil the story yet). Today I'll be talking with my local printer to see if there is any way to have this in-time for Baltimore this weekend, otherwise, I'll release it at New York Comic Con.

UPDATE 9-2-14 @ 1PM
Unfortunately, the printer could not guarantee the order could be fulfilled before I fly to Baltimore this Thursday, so they will be a New York Comic Con item instead...and perhaps online too.

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, August 26, 2014

Baltimore Yearbook: Grendel

This year marks the third year for the Baltimore Comic Con releasing an art book for their convention featuring guests of the show doing their rendition of a pre-selected creator-owned character. In past years the book were centered on Frank Cho's Limbery Meadows and Stan Sakai's Usagi Yojimbo. This year it's all about Matt Wagner's Grendel.

To the left is Wagner's cover (with book design by Thom Zahler) of the art book. Unfortunately, I didn't get my piece done in time to be included IN the book, but if you collect enough signatures at the convention, you can collect a print of my piece from the Baltimore Con folks.

  More info here: http://myemail.constantcontact.com/Baltimore-Comic-Con-s-Annual-Yearbook-Returns-in-2014-with-Matt-Wagner-s-Grendel-.html?soid=1101956786023&aid=xtcfN8WGoOA

Here is my finished piece. I didn't know much about the character, but in doing research I found that his original secret identity was a writer named Hunter Rose. So I did a stylized layout featuring an antique typewriter with it's brand name replaced with the comic title "GRENDEL", a Hunter Rose letterhead, and a quote from the epic Beowulf. The info on the bottom of the typewriter include a Wagner's manufacturer logo made to look like Wagner's signature and the location of the company his home state. 

I'll be donating the original inked piece to the art auction that takes place at the Baltimore Con.
Happy Bidding!

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Tuesday, August 19, 2014

Recent Commissions

This week I'm sharing a batch of commissions from San Diego and Boston.

A Mouse Astronomer:
I did a little google image searching to mentally combine several concepts for what a Medieval Astronomer would look like or what tools he'd use. Here are examples of the types of pieces I used as inspiration: example A, example B,  example C
That "C" example is where I took the the tapestry and costume cues.

Welcoming Baby Rex:
A family had me commemorate the engagement of their daughter a few years back (the piece on the lower left here). Now they are married and asked me to depict the welcoming of baby Rex. I kept the same costumes for the parents and also the location, but inside now instead of the balcony.

Death Hissing Snake:
This was a piece I started as a commission example, but sold recently out of my portfolio. I saw a photo of a blind mink-eyed snake and thought that was a good creepy basis for a classic mouse battle. 

Mouse Glassblower:
In my product description in my online store for commissions, I listed the idea of just listing a trade for a mouse like: Mouse Glassblower. This customer liked that idea so much, she requested just that. I'd drawn some glassblowing mice in Fall 1152, but wanted to show a studio/workshop with more tools and work items. The tied & hanging inventory is my idea, and while not very practical, looks cool.

Sadie & Kenzie at the pond:
The visuals for this were very specifically picked by the fan who commissioned the piece, from the dragon fly and the acorns to the pond, lillypads and frogs. Kenzie and Sadie holding paws was also in the request. Unfortunately I couldn't also fit in the pinecone or fireflies...but for artistic balance, I have to reign it in every now and then.

Young Fisher-mice:
Requested here were two young male mice fishing at night in the light of the moon and a few lanterns. It was fun to design a little twig & rope net for capturing the minnow, and I think I want to do more of those fabric/paper lanterns in future Mouse Guard stories. What was really cool was when the owner of the commission came to pick it up with his son, he asked to see "the commission of the mice & fish" I'd tweeted earlier that day...and when looking at it he revealed to the son that it was the father who commissioned it. It was a surprise.

I don't often draw human ladies for commissions, and I tend to steer people away from them (I don't really know why you'd spend the money for me to draw a Power Girl or Wonder Woman...seems a waste for an ugly piece) In this case, I thought I could work with the mood, time period garments & weapons and use the stylization of the Pixar design to my advantage. Wish I'd made the wisps glow a bit more.

Mouse & Crocodile:
"A mouse or group of mice riding the head of a partially submerged Crocodile like Washington crossing the Delaware". I opted to raise the croc's head out of the water more than the classic mostly submerged swimming profile to make the piece more interesting and dynamic.

Ragnier the Hunter:
A fan who saw a previous piece I did of Ragnier (a character who will appear in this Fall's Baldwin the Brave and Other Tales Mouse Guard collection) asked me to do a Ragnier piece for him. I looked up reference for an owl skull (this owl must've been a small one). With the story he's appearing in not-yet published and to have had 2 commission of him, I think he's a popular character I may need to revisit in another Mouse Guard story.

Raphael Riding Grimlock:
As an homage to my TMNT in Time #1 cover (where I had the 4 turtles on the back of a dinosaur) and the most recent Transformer's movie featuring Optimus Prime riding Grimlock, this fan asked me to mash the two together. It was hard to come up with solid useable reference for Grimlock since the original toy had such limited movement and more recent versions are not my idea of the king of the dinobots.

A Mouse Wizard:
These days I've stopped doing any commissions of Mouse Guard style mice doing/being something outside of what they'd be in one of my stories or a Legends of the Guard story. But when this fan requested a mouse wizard, I had to make an exception and go full out. The fan understood and mentioned that the wizard could look like something from a plauseable Legends story, but I couldn't resist getting a Dumbledore & Gandalf level wizard to cast a spell on the page.

I just released my 2014 sketchbook featuring last year's mouse commissions colored for the 24 page collection. You can now purchase it through my online store. The above commissions were drawn after this book was sent to the printer, but they will appear in the already-in-the-works 2015 sketchbook. If you are interested in getting a commission from me, I take a limited number of commissions before most conventions I attend. In my online store, I offer them up as pre-order items about a week before that particular convention. The piece MUST be picked up at the show. The pieces are inked 7” x 7” pieces on 12” x 12” bristol with the detail level of a finished Mouse Guard page.

2014 Appearances:
NY Comic Con: Oct. 9-12
Lucca Comics & Games (Italy): Oct. 31-Nov. 2

Blog Archive