Tuesday, March 29, 2011

Signature Sketches: When I started signing Mouse Guard books, I did a little mouse sketch next to my signature in each hardcover as a nice "thank you" to anyone who bought it and/or lugged it to a show for me to sign it. Now, with 3 hardcovers, an RPG, and the Fall B&W ed. I can't keep up with doing a doodle in every one. At a recent signing I saw the line backing up, and me rushing through the doodles (therefore making them a bit sloppier than I'd like). So I have a solution:

Annual print-stamps: I will hand carve a stamp each year and in lieu of the mouse doodle, I'll stamp your book. This will also mean that I can re-stamp it the following year with the new stamp if you like. While I wish I could do an individual doodle for everyone, I just can't anymore. So this stamp is a better quality image, that I still handmade and will stamp myself (and sign) in every hardcover you bring me. I plan to only do custom doodles on request in the oversized B&W limited books.

Stamp process: I started with a doodle in my sketchbook of a random mouse with a sword. I scanned the doodle, added the '2011' date, resized it to fit my stamp material, and them mirrored the entire image before I printed it out. The mirroring is so that when the image is stamped into your book, the date and design will be facing the right direction. I scribbled with a soft lead pencil over the back of the image so that I could transfer it to the stamp material.

The base material for the stamp is Speedball's Speedy-Carve. It's a linoleum substitute printmaking students can use that is easier to carve. It is also soft enough that you can use the carving like a stamp instead of a block print (where the paper must be applied to the block and then rubbed to get the final print.) Placing my design print-out over the material and retracing it, I got a graphite transfer on the Speedy-Carve. I then used a permanent marker to firm up the lines and make sure I didn't rub them off as I handled the material.

Just like I would carve a block print, I carefully carved into the Speedy-Carve with my woodcutting chisel. The idea is to cut away all the white space leaving only the areas you want to print. I covered another example of this printmaking process called 'relief printing' in a previous post. At this stage I also decided to add a series of lines to the background, something the eye would interpret as an optically mixed grey.



Using a stamping ink pad, I was able to make the print on paper by just using the Speedy-Carve block like a rubber stamp. The final 'prints' will all be a bit unique where the ink transfer wasn't perfect, but I tend to like those imperfections, as they will also make everyone's stamped books a bit more unique.

*UPDATE: I was unable to find an ink that would both dry fast enough and also not gum up the stamp in-between uses. So the quick signature doodles remain*


2011 Appearances


Phoenix Comic Con: May 26-29

Cherry Capital Con: June 25-26

San Diego Comic Con: July 20-24

Baltimore Comic Con: Aug. 20-21

New York Comic Con: Oct. 14-16

Tuesday, March 22, 2011

C2E2:
If you couldn't tell from my tweets, the convention was a blast. ReedPop knows how to put on a convention that makes everyone feel welcome and happy. Thanks to the Archaia crew, Jeremy Bastain, Katie Cook, Gene Ha, and Lowell Francis for taking time to sign Legends of the Guard books at the Archaia booth with me.


Fan Art: I have some awesome fans. I'll let you all read why in the letter and artwork I received:


2011 Appearances Motor City Comic Con: May 13-15
Phoenix Comic Con: May 26-29
Cherry Capital Con: June 25-26
San Diego Comic Con: July 20-24
Baltimore Comic Con: Aug. 20-21
New York Comic Con: Oct. 14-16

Tuesday, March 15, 2011

C2E2:
This weekend is C2E2 at the McCormick Place in Chicago! Archaia will have Hardcovers (Fall, Winter, Legends v1), and of course, looking forward to meeting with fans, talking about upcoming books, etc.

Where to find me:
My time will be split between my Artist Alley table (M13) and The Archaia booth (#701)
I'll start and end each day at my Artist Alley table, but have signing scheduled at the Archaia booth for the following times: Friday: 11-noon & 3-5, Saturday: 11-noon & 3-5, Sunday: 1-3



2011 Appearances
C2E2: March 18-20
Phoenix Comic Con: May 26-29
Cherry Capital Con: June 25-26
San Diego Comic Con: July 20-24
Baltimore Comic Con: Aug. 20-21
New York Comic Con: Oct. 14-16

Tuesday, March 8, 2011

New Print:For conventions this year (see list below). The print is a convention exclusive and will not be offered through email orders. I'm sorry to the folks that can't make it out to conventions, but I do advise that to avoid ebay scalpers crazy price hikes, find a fellow fan online who is attending a con and is willing to ship it to you. I have a few fans who do this already for UK fans who can't make it to US shows.

Process:
Last summer we encountered some turkey vultures on a family vacation. They stuck in my mind and I drew one recently as part of some Black Axe lore for an upcoming issue. As a poster, I could have more fun with the imagery and treat it more like a Legends cover (this very well may end up being used in Legends vol2). I looked at several photos of buzzards and vultures for reference while I sketched out my bird. I drew the mouse away from the buzzard knowing I would want to adjust his size and rotation.

I scanned that sketchpage and layed the image out in the proper size for the final artwork (8.25" x 16.25"). Because I had not drawn the full bird, I copied and mirrored his wing, yet the buzzards body wasn't full enough. I like manipulating sketches in photoshop for layout for this very reason. I can make adjustments without needing to redraw or erase my sketch. I tinted the various elements to help me see what lines belonged to what element (mouse, sword, bird, or bones).

The color tinted sketch was printed out and I layed bristol board on top of it on my light box. This way, I was able to use the sketch as a guide for my final inks on the bristol. I adjusted the left side of the buzzard as I went. The mirrored wing gave me a good sense of the scale I wanted for it, but was the wrong shape. For this piece I also inked using only Copic Multiliners (mainly the .05 & .08). I really like the lines they give me and I will be switching to them for my final artwork now.

Last step was to scan my inked artwork and color the piece in photoshop. Because I didn't draw much in the background, I went with a more painted sky than I normally do. I added a color hold to the bones to make them retreat a bit into the background. And I tried to get the mouse-rider's garb to mimic his carrion-eating mount.


2011 Appearances
C2E2: March 18-20
Phoenix Comic Con: May 26-29
Cherry Capital Con: June 25-26
San Diego Comic Con: July 20-24
Baltimore Comic Con: Aug. 20-21
New York Comic Con: Oct. 14-16

Wednesday, March 2, 2011

Day late and a dollar short...
Sorry about the day-delay in getting this post up. I'm also sorry that it's not a very content-filled post, but a preview of something I'm hoping to be able to share with Mouse Guard fans soon:


2011 Appearances
C2E2: March 18-20
Phoenix Comic Con: May 26-29
Cherry Capital Con: June 25-26
San Diego Comic Con: July 20-24
Baltimore Comic Con: Aug. 20-21
New York Comic Con: Oct. 14-16

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